He’s trying to make big plans –
project a narrative that starts with him
and ends with him.
But the sky keeps changing,
the clouds are too near,
even the air changes from one moment to the next: hot-dry, wet-cold, damp-warm.
Attempts at compromise get him nowhere,
the spiked gorse blocks his path.
The sun is low and bright –
a peculiarity of the light makes
the underside of oak leafs
in the next field long-lense crisp.
Conclusions elude him,
his thoughts are too linear, too starched.
All is green but not lush –
green, muted green, grey green,
yellow green, black green, white green,
green rusted to red brown.
Even the white-pricked pink purple
thistle flowers belong to the green,
exist only in relation to it.
Near a roll of discarded barbed wire fence,
rusted and confused with grass and thistle
are some branches, cut to a length.
Each is bearded with white green moss,
jolie laide, these are as close as he gets to an answer.
Yes, the days of our lives are like candles,
At once golden and warm then sallow and extinguished,
But not all candles stay snuffed,
Some reignite like dormant volcanoes
That unapologetically have become active,
Erupting in legacy –
Your achievements and mistakes,
Your days of pleasure or pain will fade.
As your mind dims, becoming dull with cataracts.
But the bright flame, though lost to you
Will be rediscovered by someone else
In words – translated words –
Which recall a furtive meeting or a closed room…
White light prods through blinds
From five or even earlier.
It is light all day and dusk settles at half-nine.
In Highgate Wood
Horse-chestnuts and oaks,
Their trunks bare for fifty feet then branch-antlered,
Are dense with far-away leafs,
Each leaf of the canopy is gilded and
The sky beyond is blanched indigo-
They combine in almost floral design.
Unblocked rays warm the earth
And paint in streaks the wooden fences
That create the wood’s perimeter.
Light exposes spiderwebs briefly-
Elusive, they shimmer then disappear.
Dense mist hangs around late into the morning,
It clings to the skin in beads of cold and foreign sweat.
The mist exposes spiderwebs that
A privet hedge that looked so neatly clipped
Is everywhere rheumed with spidersilk.
Like leafless deadfalls these traps
Are now useless- their covert nature was everything.
When did it get so cold?
The summer was warm and long,
Its prolonged heat left us unprepared.
What rain does to light!
Droplets that individually would be transparent
Become in swarms opaque,
Creating diffuse halos around street lamps.
Under the railway bridge
Reflected indigo light gathers
In shaky neon pools pitted with ancient gum.
The shallow pools’ beauty foreign
To their soiled surroundings.
There is too much water-
Men and women cloister themselves
Under the ground-floor walkways of council flats.
They are too close to the windows and doors,
They crane their upper bodies away from the rain
Yet still it permeates.
On a dry night I saw a muscular man
Appear from one of these flats, to smoke.
He was too wide for his tiny, cell-like flat,
Too puckered with muscles.
Was it keeping the ceiling and walls at bay
That so strengthened him?
Is he waiting, now, sinews coiled,
For the rain to cease
For sanctuary-seekerless peace
To return outside to smoke?